An Oral History of New York’s Arab and Muslim Community After 9/11
“I feel like my writing is always either at a micro-cellular level or a drone level. There’s this constant cycle between being way too close and things feeling surreal, or pulled way out and things also feeling a little surreal.”
“What debts—monetary, emotional, filial—did my parents have that I’ve inherited?”
The stories in this folio piece together alternate, speculative histories that reflect distinctly queer modes of life: often without a clear resolution, a “moral,” or a sense of “straight” logic
“It feels like you have crossed a river you cannot cross back again”
On Yuri Kochiyama’s 100th birthday, her granddaughter Akemi Kochiyama reflects on her radical anti-imperialist, anti-racist, and internationalist politic and praxis
“The narrative that is built around a particular moment eventually buries the moment itself.”
“Together we are as mighty as our ancestors up from the dead.”
“As a writer, as someone who reveals their innermost selves linguistically, it’s lonely not to speak the same language as your parents.”
Mundane solidarity helped us meet outside of linear time and embrace ourselves as the whole suns we are.
On Chinatowns around the world, writing about teen girlhood, and making music.
“What people say about the patriarchy hurting men is true. Men benefit from it, but it also hurts them.”
“I wanted to turn to actual living language—and reveal, through poetry, the contradictions or erasures or sometimes comic possibilities imposed by different texts.”
While I was doing witness work around violence, I was also always living in a shadow space where I could be safer, where I could be protected, where I was known, where I could not be misread
Atrocities happen all too often in real life, so it’s my hope that people can be less hurt while reading my novels.
Life is getting sick and dying. Life is suffering. And that’s ok.
An interview with the Virginia Poet Laureate on poetry as witness, colonial history’s hauntings, and her longstanding poem-a-day practice
“The work of journalism is bound up in paying attention and noticing things. That’s kind of how I go through the world, with an antenna up for the unexpected, the beautiful, or the moving.”
The investigative journalist and author of the true-crime book The Good Girls in an interview about honor, caste, and patriarchy in India.
A dancing partnership blooms into a Bollywood romance.
In Part Two of a discussion on South Asian diasporic organizing in the movement for abolition, Mon M. and Sharmin Hossain reflect on their histories and positionalities as South Asian abolitionists.
“I feel like my writing is always either at a micro-cellular level or a drone level. There’s this constant cycle between being way too close and things feeling surreal, or pulled way out and things also feeling a little surreal.”
“What people say about the patriarchy hurting men is true. Men benefit from it, but it also hurts them.”
“What debts—monetary, emotional, filial—did my parents have that I’ve inherited?”
“I wanted to turn to actual living language—and reveal, through poetry, the contradictions or erasures or sometimes comic possibilities imposed by different texts.”
The stories in this folio piece together alternate, speculative histories that reflect distinctly queer modes of life: often without a clear resolution, a “moral,” or a sense of “straight” logic
While I was doing witness work around violence, I was also always living in a shadow space where I could be safer, where I could be protected, where I was known, where I could not be misread
“It feels like you have crossed a river you cannot cross back again”
Atrocities happen all too often in real life, so it’s my hope that people can be less hurt while reading my novels.
On Yuri Kochiyama’s 100th birthday, her granddaughter Akemi Kochiyama reflects on her radical anti-imperialist, anti-racist, and internationalist politic and praxis
Life is getting sick and dying. Life is suffering. And that’s ok.
“The narrative that is built around a particular moment eventually buries the moment itself.”
An interview with the Virginia Poet Laureate on poetry as witness, colonial history’s hauntings, and her longstanding poem-a-day practice
“Together we are as mighty as our ancestors up from the dead.”
“The work of journalism is bound up in paying attention and noticing things. That’s kind of how I go through the world, with an antenna up for the unexpected, the beautiful, or the moving.”
“As a writer, as someone who reveals their innermost selves linguistically, it’s lonely not to speak the same language as your parents.”
The investigative journalist and author of the true-crime book The Good Girls in an interview about honor, caste, and patriarchy in India.
Mundane solidarity helped us meet outside of linear time and embrace ourselves as the whole suns we are.
A dancing partnership blooms into a Bollywood romance.
On Chinatowns around the world, writing about teen girlhood, and making music.
In Part Two of a discussion on South Asian diasporic organizing in the movement for abolition, Mon M. and Sharmin Hossain reflect on their histories and positionalities as South Asian abolitionists.